USA 2013

Director: Josh Feldman

Writers: Josh Feldman & Britton Watkins

Runtime: 84 mins

Another low-budget entry at Sci-Fi-London 2014, Senn is an ambitious visually impressive movie with echoes of Hitchhiker’s Guide to the Galaxy and 2001: A Space Odyssey. Senn is the name of the main character (played by Zach Eulberg), a lowly production line worker on some godforsaken planet owned by an oppressive corporation. Senn regularly finds himself drifting away into bizarre waking dreams, to the point where his girlfriend Kana (Lauren Taylor)  is concerned that he will be “delisted” and assigned the lowliest possible job – sifting waste.

One day, as Senn’s waking dreams are threatening to get out of control, a vast alien spaceship arrives. Realising that this is an opportunity they must take, Senn and Kana are whisked away to the Polychronom, an ancient object that has somehow chosen Senn for a purpose unknown. Senn and Kana’s alien host is a called We (Wylie Herman), a being that appears in human form, like an eager-to-please butler, but who is actually the manifestation of some kind of dimensional energy. We and his fellow beings wish to understand the Polychronom, but in order to do so need to study Senn. However, Senn turns out not to be the first organism to be chosen by the Polychronom, and it seems that others have met unfortunate fates. What will the future hold for Senn?

Director Josh Feldman, whose background is in graphic design, brings a great visual sensibility to Senn, providing the kind of images you wouldn’t normally expect to see in a low budget production. There is also a good soundtrack by Cubosity Music.  The film has some nice flashes of wit, too, especially in the person of We, who is depicted brilliantly by Wylie Herman. Lauren Taylor gives a solid performance as Kana, as does Taylor Lambert playing Senn’s friend Resh. Unfortunately, I was less convinced by the performance of Zach Eulberg himself, whose acting seemed a bit awkward at times.

Despite the film’s various good points, it is rather let down by the writing. There is the nugget of a good idea in the basic story, but there is barely any dramatic tension, no conflict to keep the viewer’s attention. Everything just kind of rolls along until the end. No matter how good the visuals and music are, it is good writing that is at the heart of any movie. Partway through the film I realised that just as Senn’s thoughts were drifting away again, so were mine.

Rating: 5/10

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